Author Interview with S.D. Lettie, Author of THE ARRANGEMENT #authorinterview

Today we are interviewing S.D. Lettie, author of the new adult romantic suspense, The Arrangement. 

Before she ever had “author” next to her name, S.D. Lettie was—and still is—an avid reader first; the kind who would finish a book in a day and beg her parents to take her back to the bookstore. Reading started as a hobby and, as she got older, became her source of entertainment, escape, and comfort. Over the years, she found herself wanting to write the kind of worlds readers could get excited about—a world that could grow into a fandom of its own. 

Today, Lettie writes slow-burn romances—stories about characters who are imperfectly perfect, the hard moments that shape them, and the plot twists that leave readers reeling. Outside her writing life, she’s a wife and mom of two, roles that influence both her time and perspective. She’s also a dedicated soccer fan, the kind who will plan her day around a match and openly admit she’ll yell at the TV when things get heated.

Through all of it, her goal as an author is simple: she wants her characters to stay with readers long after the book ends. 

Her latest book is the new adult romantic suspense, The Arrangement (Bancroft University Chronicles Book 1).

Visit her website at www.sdlettieauthor.com. Connect with her on Facebook, Instagram, BookBub and Goodreads.

Can you share a story about what brought you to this particular career path (becoming an author)?

I’ve been an avid reader for as long as I can remember. In elementary school, the longest book I tackled was The Hobbit by J.R.R. Tolkien, and after that I devoured the Harry Potter series and never really looked back. Every summer, my grandma would take me to Barnes & Noble and let me pick out a few books for the week I spent with her. What she didn’t realize was that I was a fast reader and could easily finish one or two books in a single day.

My love for writing started in middle school, thanks to my seventh-grade Language Arts teacher who had us write short stories in our composition notebooks as a warm-up every day. From there, I was constantly writing - on Word documents, in spiral notebooks, anywhere I could. Most of those early stories were Harry Potter fan fiction, so they never saw the light of day.

Then life happened. Kids, a career in B2B marketing, responsibilities. I actually stopped reading altogether until 2020, when the world was forced to slow down. Over the next few years, I fell back into reading hard - sometimes 300 to 400 books a year on my Kindle. I started with lighter romance authors like Tessa Bailey and Meghan Quinn, before eventually drifting into darker romance with writers like Rina Kent, J. Bree, and Eva Ashwood.

When I lost my job at the beginning of 2025, I knew it was my chance to finally write the story that had been living rent-free in my head for years. I had so many unfinished drafts and half-formed ideas, and this time, I committed to finishing one. And the rest is history.

Your latest book, The Arrangement, centers around a forced engagement and is a dark, slow-burn story of buried truths, political corruption, and a connection that pulls two damaged people toward a collision neither may survive unscathed. How did you come up with this very unique idea?

I really credit the inspiration for The Arrangement to two things:

First, mafia romance. As much as I love a golden-retriever MMC, there’s something about a morally gray man that just hits differently. The kind who’s dangerous, loyal to a fault, and would burn the world down for the woman he chooses. I knew from the start that my male character needed to live in that gray space.

Second, my love for espionage movies and TV shows. I’m fascinated by secrets, especially the ones buried inside politics and government. There’s something thrilling about uncovering what’s hidden beneath polished speeches and public images, and honestly, it feels closer to reality than people like to admit.

Blending those two worlds - organized crime and political power - felt natural. Once I put them together, the story pretty much took on a life of its own.

 

Can you tell us about the main characters in the book? 

The book really centers around two characters: Emilia Langford and Nikolai Volkov.

Emilia is polished, overly analytical, sarcastic, and charming - the perfect political daughter on the surface. She’s spent her entire life playing a role, and in that way, she’s incredibly relatable. Not everything is as perfect as it looks, and Emilia represents that disconnect between appearance and reality better than anyone.

Nikolai, on the other hand, is our main male character and very much the morally gray counterpart. He’s intense, dangerous, and undeniably attractive - the kind of man who looks like he could kill you and probably has. While readers don’t get much of his POV in book one, the moments they do get are powerful. He’s calculated, loyal, and shaped by the world of organized crime in a way that makes him impossible to ignore.

 

Can you tell us about the other characters in the book? 

Thalia is hands down my favorite character in this world. She’s the backbone of the story and wears way too many hats - Emilia’s ride-or-die, her unofficial therapist, the little voice on her shoulder, and the one person who will always say what everyone else is thinking. She’s blunt, unfiltered, and completely unapologetic about it.

Honestly, she became so fun to write that it only made sense to give her her own book. Some characters refuse to stay in the background, and Thalia is very much one of them.

What is the very first line of your book?

It opens with: “The ballroom is unbearably warm. It always is.”

What is the main reason people should read your book?

There are a few reasons someone should pick up The Arrangement. 

First, it’s part of an ongoing world. While this duet focuses on Emilia and Nikolai, their story isn’t the end - other characters step forward, and the world keeps expanding. Second, it’s a true slow burn. If you like stories that take their time building tension before everything finally collides, this book is for you. And finally, it’s grounded. It’s still fiction, but it feels real. Readers can get lost in the story while still recognizing the emotions, dynamics, and pressure the characters are under.

You are a person of enormous influence. If you could  start a movement that would bring the most amount  of good to the most amount of people, what would  that be? 

I’d want to start a movement focused on making books easier to access for everyone. Reading is one of the few ways people can escape, learn, and decompress without putting themselves at risk, but it’s still treated like a luxury. Libraries are important, but they don’t always have what people want or need.

I’d love to see more community-based book sharing, things like local swaps, little free libraries, school programs, and other low-barrier ways to get books into people’s hands. The goal would be to make reading feel accessible and normal, not expensive or exclusive.

You know that guy you fell for at sixteen—the one who vanished without explanation, leaving behind enough damage to last years? Now imagine being forced into an engagement with him because your parents decided you’re more useful as leverage than as a daughter. 

And the part he forgot to mention? He’s heir to a Bratva empire with blood on its hands. 

That’s Emilia’s life. Her future is not her own, and her fiancé, Nikolai Volkov, is a man whose silence is more dangerous than his words. Their past is a wound. Their engagement is a threat. And what grows between them is something neither of them should let happen. 

The Arrangement is a dark, slow-burn story of buried truths, political corruption, and a connection that pulls two damaged people toward a collision neither may survive unscathed.

Read sample.

The Arrangement is available at Amazon.

Remembering the 60s and the Cold War for Fighter Pilot's Daughter by Mary Lawlor #Guest

Remembering the 60s and the Cold War for Fighter Pilot's Daughter

—Mary Lawlor

 

 Fighter Pilot’s Daughter was one of the most difficult projects I’ve ever undertaken.  It was also probably the most important thing I’ve ever done for myself.  Putting the book together was like a process of self-therapy: it had a powerful stabilizing effect that stays with me now.  Part of this came with the clear account the research and the writing made of my family’s zigzagging past.

     Like most military families, we moved a lot (fourteen times before I graduated from high school).  And like other Army fathers, my Dad was away often.  My mother and sisters and I would worry about his safety, especially when he was flying in war zones.  He would write my mother fairly regularly for a while, then his communications would dwindle off under the weight of more pressing matters close at hand.  This would leave us wondering how he was, and I often had nightmares of him being captured, imprisoned…

     In spite of the fact that we missed him fiercely, Dad’s homecomings weren’t as easy as we expected them to be.  Familiar as he was, his tall frame in the doorway and his blaring blue eyes with that far-away look were strange and frightening.  After a while, we’d get used to him; but I wonder how long it would take him to get used to being home.  He’d been in such a different, all-male world where violence reigned.  At home, there were only women.  My mother and sisters and I knew little about what he’d been through, not just because we were too young to know but because a lot of what he’d been up to was secret.

    We never talked about any of this, so our house was a tense, uneasy place when Dad came home.  Indigenous people in many parts of the world have rituals for bringing warriors home—practices aimed at diminishing the potency of trauma and other effects of prolonged exposure to violence.  I guess we’re starting to see something like this in the debriefings and psychological attention given to soldiers and marines returning from war.  But in the sixties there wasn’t anything like it.  Dads just came home, still warriors, and now being asked not to be.

     The story of Fighter Pilot’s Daughter had to have a plot—not just the order of our moves but the dramas that accompanied them.  It was difficult enough getting all my father’s military records so I could see the the crazy chain of our moves from one place to another.  It was even harder to go back into memories that reawakened painful feelings of confusion and anxiety that came with being new all the time.  All those scenes where I was a stranger and everybody else belonged still stung.

     Making a story out my family life meant describing my parents, sisters, and myself as if we were characters.  I had to give physical portraits, convey personalities and make us say things.  The truth had to be the first priority, but the truth can be messy.  These portraits had to be shaped so readers could make sense of who I was talking about.  I think human character is, in the end, more complex than any literary character.  Picturing human beings in their ordinary rawness is very difficult.  A reader needs a writer to give their literary characters more specific shape and continuity than most of us usually have—features that allow a reader to recognize a person from one page to the next.  In memoirs and biographies, those shapes and continuities have to be made from real materials—the habits and speech styles and surprising ticks of real human beings.  So my family members and me ended up appearing in the book in more definitive shape than we actually had.  Still, these descriptions adhered to the truth of my memory as much as I could make them.    

Writing Fighter Pilot’s Daughter gave me a chance to air the ragged feelings still running in my brain and heart from those days long ago.  Some of these feelings had to do with the work my father did.   As a teenager, I had a hard time understanding how I felt or should feel about the things he did as a warrior.  When I went away to college, I drifted from my parents and made friends with people in left political groups and the anti-Vietnam War movement.  In Paris, in May of 1968, I participated in demonstrations against, among other things, the war my father was fighting At the time, he was posted outside Saigon.  When I saw him again, the tension between us was almost too much.  We had heated arguments, and then for a long we didn’t speak.  Much later my parents and I got to be very close, and I’m deeply grateful for that.  Being retired from military life, Dad had changed dramatically.

    I wanted to write about all this so I could sort out those powerful emotions that were still with me.  I hope Fighter Pilot’s Daughter strikes a chord with other military kids.  And I hope it gives readers in general a better understanding of what military kids go through.  When I tell people I grew up in an Army family, they often say Was it like “The Great Santini”?  It’s surprising how often people ask that.  The answer is no.  Santini was an abusive father, and while many soldier fathers are professionally familiar with violence, they don’t necessarily bring it home with them.  Pat Conroy, author of The Great Santini tells a great story, but as he says himself it’s his story, not a representative account of military family life.  His book is is one of the few that features a Marine Corps pilot, his wife and children as the central characters, so it often gets taken as a model of  military family life.

     I hope readers of Fighter Pilot’s Daughter see that there are other ways of describing domestic life for service families.  Many of the biggest difficulties for spouses and children are built into the structures of everyday life in military environments.  I hope readers take from my book a sense of how complicated it is to maintain a healthy, optimistic family life when you’re  having to move all the time and when a parent has to spend long months away from home on deployments.  For all the good or ill the armed services might do for America, they can bear down hard on the lives of soldiers’ wives as kids.  And they can make make their lives wildly interesting, as I hope Fighter Pilot’s Daughter shows.

About the Author

Mary Lawlor is author of Fighter Pilot’s Daughter (Rowman & Littlefield 2013, paper 2015), Public Native America (Rutgers Univ. Press 2006), and Recalling the Wild (Rutgers Univ. Press, 2000). Her short stories and essays have appeared in Big Bridge and Politics/Letters. She studied the American University in Paris and earned a Ph.D. from New York University. She divides her time between an old farmhouse in Easton, Pennsylvania, and a cabin in the mountains of southern Spain.

You can visit her website at https://www.marylawlor.net/ or connect with her on Twitter or Facebook.

 

About the Book:

Fighter Pilot’s Daughter: Growing Up in the Sixties and the Cold War tells the story of Mary Lawlor’s dramatic, roving life as a warrior’s child. A family biography and a young woman’s vision of the Cold War, Fighter Pilot’s Daughter narrates the more than many transfers the family made from Miami to California to Germany as the Cold War demanded. Each chapter describes the workings of this traveling household in a different place and time. The book’s climax takes us to Paris in May ’68, where Mary—until recently a dutiful military daughter—has joined the legendary student demonstrations against among other things, the Vietnam War. Meanwhile her father is flying missions out of Saigon for that very same war. Though they are on opposite sides of the political divide, a surprising reconciliation comes years later.

Read sample here.

Fighter Pilot’s Daughter is available at Amazon.